Saturday, April 25, 2015

Here Comes the Sun


Weather has finally broken. The sun shines for days at a time, punctuated by occasional electric storms. Lightning breaks Ben Beo Harbor’s black night, exposing pontoons of boats and floating houses in a momentary mockery of washed-out daylight as rain drives into the bay, sheets of water obscuring everything in sight.

The view from the roof is spectacular. We’ve recently moved hotels from a residence on the waterfront of Cat Ba Town to Ben Beo, a short drive across the island’s southeast peninsula. Our new hotel is blessedly mold-free (at least for the present), has wrap-around balconies on every floor and a constant sea breeze. We’ve traded an overabundance of cockroaches for snakes sunning themselves in our courtyard and a miniature black and white cat yowling through the night from a small floating market next to the pier. The building sits so close to the harbor’s crag that a person could literally step off our roof onto the rock. To the north we look out over the island’s floating fishing village; to the south, through an island channel to open sea.

With the season’s change we’ve begun waking to unscheduled island-wide power cuts, arriving at the office to battle our cranky generator. If it turns on business continues as usual, albeit with an abnormally large proportion of staff plugged into the company’s modem. If not, we plunge a few decades back, recording all transactions and logistics by hand in a dimly-lit room without access to email or previous records.

It also currently appears to be the time of year for Lucky Money, as officials drop in to collect what they view as their fair due for not making our lives and logistics more challenging than necessary at various harbors and points of contact in the government. It’s during these times that Western employees tend to find reasons to conduct business from outside of the shop for several hours.

Changing weather brings changes on the bay, as well– jellyfish have surfaced in droves, massive blobs of color dotting the bay’s emerald channels. We’ve begun carrying limes and vinegar with us; the things are absolutely everywhere and surprisingly fast-moving.

With their appearance emerge jellyfish boats. A tall, slender bamboo pole stands at the basket boat’s prow, a spotter standing atop small crossbar fixed half way up. The boat pirouettes through the water as the spotter directs the driver and a third crew member, who scoops absolutely massive jellyfish with a net on a three-meter pole and piles them into the boat behind him. Their catch is staggering.

We’re also in the process of introducing Stand Up Paddleboarding to the company’s repertoire, which has served to highlight spectacularly the challenges of accomplishing goals which would prove so simple in the Western world. Our Vietnamese (Korean?) boards, promised to arrive with leashes and reinforcements for use in the bay, showed up with neither. Since the boards have demonstrated an alarming tendency to pop below recommended pressure, we’re playing a delicate game of trial and error as we determine best methods for safe storage and use. The distributor himself also appears to be denying responsibility for damage done to the boards while they’re in repair– not exactly sure how he figured that one out. When everything works out, however, navigating the bay by SUP is So. Much. Fun.

We’ve been without our usual boat for over a month now while it’s in repair, our interim boat has brought a new crew. One of the crew, Hung, a constantly happy guy in his mid-twenties, has taken it upon himself to introduce us to squid fishing on overnights. After dinner, we load into kayaks and paddle a short distance to where a family has a fine net submerged in the water beneath a glaring light in the otherwise black night. As we watch from the bamboo rails of the family’s fish farm, schools of squid circle beneath the light and a small child practices casting a lure to pass time. Eventually the lights dim and the men raise the golden net from the water, bringing with it dozens of small, translucent squid.

We paddle back to the boat through water glowing turquoise with plankton and eat squid with beer for dessert. Their ink turns our mouths and teeth black, and I manage to appall the crew by following their urging to turn ink into war paint smeared across my face.

As the tides shift (we’re on a 25-hour cycle here, with only one tide per day), DWS (deep water solo) season has also arrived. Getting onto the rock is a challenge in itself, since sea life and waves undercut walls throughout the bay. We chalk up and move to the boat’s prow, rocking in swell and chop, grasping onto specific handholds to pause as Anh Sang backs off to let us climb without the danger of falling from the wall onto the tender boat.

Climbing with nothing but water below me proves both exhilarating and terrifying, especially since I’ve never been fond of heights unless I’m attached to something. Emerald water waits below, however, and after sucking up for a jump or fall from the rock the sea welcomes me in a refreshing embrace before Sang circles the boat back around to retrieve me.


The man’s skills captaining a boat are nothing short of phenomenal (Although apparently he once parked a boat to wait for some climbers and managed to beach it as the tide receded, punching a hole through the bottom in the process). And on a personal level, I plan on getting a whole lot better at cliff jumping over the next few months.

Saturday, April 18, 2015

Visa Run Take 1: Thailand


The trip to Hanoi goes smoothly as can be expected in Vietnam. We’re left to sprawl on the concrete for a good 40 minutes between our first bus and speedboat, and once on the mainland, we take a sideways jaunt to the Hai Phong Hoang Long bus garage for a thirty minute spray-down before continuing to Hanoi.

I find my way to the Old Quarter and check into the Sanctuary, a slim hostel nestled halfway down a cluttered alley, ten minutes’ walk from the district’s busiest streets. The hostel has a clean, simple and individual charm– each room is dedicated to a specific endangered species, with said species painted on the door and additional photos hanging in the rooms.

The area around Ma May itself is one of the busiest streets I’ve ever seen. In the center of the backpacker district, hostels and bars ranging the gamut from grungy to five-star line the street. Trinket shops squeeze into spare crannies, while vendors arrange short plastic stools around low tables to sell street food from sidewalks and corner stalls. Motorbikes parked by the hundreds force pedestrians into the asphalt proper, where tourists and Vietnamese alike swarm amongst the noise of screaming cars and motorbikes. Bicycle rikshaws cycle through, overpriced massage parlors abound and little ladies laden with baskets of banana-filled donut-holes attempt to offload baggies onto me for obscene prices. A side alley yields rows and rows of women selling fresh food from baskets and tubs on the ground­– while one lady hawks spinach and cabbage, the girl next to her takes a meat cleaver to a catfish head, separating the head from the body and yanking out its guts barehanded while a sack of giant frogs squirms on the ground in front of her.
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Stepping into Bangkok hurtles me back into the modern world. A queue forms behind a counter where officials organize taxis and eliminate bargaining from the journey before we pass through a downtown full of abstract high rises, windows gleaming. Cars fill the streets, obeying traffic signals (which function!) in orderly fashion. Without motorbikes’ constant beeping, the streets seem almost silent.

Bamboo Guesthouse, run by a crotchety lady and her gentle husband, is tucked into the far corner of a narrow alley just off the Chao Phraya River and five minutes’ walk from Khao San Road– Bangkok’s epicenter of backpacker debauchery. Small residences and guesthouses connected by a maze of small passages fill the old-style neighborhood.

For the next two days I wander. The city bursts with color– houses’ wrought gates shine purple, green and gold. Temple spires rise into the sky, visible from miles away as brilliant golden paint reflects the sun, inlaid with red, blue, green and mirrored tiles set in geometric and floral patterns. High rises and apartment buildings boast multicolored contemporary accents. Longboats painted in striped green, orange, yellow and red boast garlands dangling from their prows. Dotted throughout neighborhoods I find miniature shrines dedicated to Buddha, tucked into corners or set into giant tree trunks comprised of hundreds of twisting branches, trees and pedestals wrapped in silk scarves. I find monks appear everywhere, bright orange robes contributing to the burst of color around me.

Modern and ancient aspects coexist so naturally here, in a society so stepped in cultural history. Modern government buildings stand next-door to centuries-old temples, transit includes both sky trains and tuk tuks, and while tap water isn’t potable, refill stations pop up every block or so: 1 baht, the equivalent of a nickel, refills a 1.5 liter water bottle.

I find street food everywhere. Wheeled stands shaded by large umbrellas form pods alongside avenues, tuck into allies and cram into markets. Selections are endless: women grill skewered pork and chicken, sell baggies of sliced watermelon and mango and sit behind trays of whole dried fish. Men peddle bicycle carts full of processed sausages and meatballs, ready to hold over a flame with a moment’s notice. Other women set up shop behind a dozen bowls or more of traditional dishes, serving rice and any selection of curries and meats from the midst of giant bubbling pots. At one point I buy a baggie of what fried chicken, soon discovering I’m actually eating deep-fried banana. I haven’t gotten my hands on these treats since living in Ecuador five years ago.

A side street near the palace hosts an amulet market– thousands upon thousands of little metal trinkets amongst dozens of stalls set along the sidewalk. Monks wander the row, bending low over tables, while an older man utilizes a magnifying glass to inspect a rather small piece.  

In a city park filled with flowering trees and manicured lawns, cut through by a small, branching canal,  a man leads a dozen or so ladies in the Cha Cha from a courtyard stage. To my left I hear a wild thrashing and look down to see a monitor lizard, at least two meters long, haul himself up out of the canal and onto the bank, a giant fish clamped in its jaws. Once firmly on the lawn the reptile dumps his catch in front of him, striking repeatedly as it flails before swallowing the thing whole. The fish, three times longer than the lizard’s head, disappears in a minute. Then the lizard slips back into the canal.

In the evening I discover why all the strays have such shiny coats: an older lady approaches two slender cats in a park, dropping fish at their feet and allowing them to rub against her legs before continuing on her way. It’s a welcome change from Vietnam, where the rare feline is a mangy mess– usually they’re just seen as free meat, of the high-end variety.

I find my way to Khao San Road, which puts Ma May to shame. Swanky bars blast western music as tuk tuks and taxis inch through hoards of stumbling tourists. Street vendors hawk food of all sorts (I’m fairly sure the fried scorpions and tarantulas are there primarily for shock factor), and hundreds stalls form a night market, selling overpriced tank tops and Billabong knockoffs. Massage parlors occupy every third or fourth building, drunk tourists sprawled in reclining chairs as Thai women rub their feet. I’ve never seen more tattooed people in my life. Even in Portland. At one point I run into a coworker who’s just left Asia Outdoors, and we watch the best break dancers I’ve ever seen mesmerize the street as their human beatbox maintains a flawlessly inhuman beat for over thirty minutes.

I’ve been informed that the Bangkok’s knock-offs are far better quality than those found in Hanoi, so I head to the markets on my first full day in the city. The river transit system presents organized chaos: crammed long boats speed over the churning water between the river’s twenty thirty or so piers, conductors and watchmen communicating through shrill silver whistles as they approach the dock. Boat and dock collide violently, people swarm on and off, and the boat pulls away within twenty seconds. Colored flags at each boat’s tail designate different lines: although all boats follow the same route, not every line stops at each pier. Express boats vie for space on the pier with cross-river ferries and hoards of slender longboats.

The markets I find hold befuddling mazes of stalls selling flip flops, electronics, clothes, belts, wallets and food vendors. Alleys dead end in shops filled with very Asian-looking stuffed animals, occasionally breaking for giant trees wrapped in dozens of scarves. I find a small shrine set into the base of one where roots reach into the ground, with a happy orange cat clambering amongst the tree’s branches and pillowed fabric where it’s obviously made its home.

My search for clothing is somewhat futile: Although knockoffs may be better quality in Bangkok, they’re still made for tiny Asian people. Half the time vendors insist, “One size! One size! It stretch! It stretch!” …I call bullshit, unless you’re below a size 3. Other ladies simply flap their hands at me: “Nothing for you!”

The district’s wholesale market is something else entirely, stretching in a matrix for miles beneath buildings, intersected only by major streets. Thousands of people swarm narrow aisles, passing stall after stall brimming with trucker hats, coin purses and watches. Aisle after offshoot aisle reveals more bolts of fabric than I’ve ever seen in my life.  An attempted shortcut leads me into a bizarre land of thousands of Hawaiian shirts, garish colors accosting me from every direction.

I watch as the city’s largest flower market comes to life for the evening as women raise umbrellas and tables while men pull trucks to the streetside, ferrying orchids and roses piled high above their heads, fireline-style. Delicate purple, white and green wreaths are created in minutes, presented in ornate stacks or atop miniature shrines. Other stalls bulge outward with bags of marigolds, traditionally used as offerings in temples.

The city’s temples take my breath away. Filled with acres of shining tiled and mirrored mosaics and spires and dotted hundreds of gold-plated of Buddhas and fairies, they embody splendor as none other. Deep red and gold murals line hallways and tell histories from temple walls and ceilings. The Temple of the Reclining Buddha holds a towering statue 160ft long, feet inlaid with mother of pearl as it serenely watches thousands of people who file through. A courtyard hosts an art class of two dozen students, sprawled across the ground as they pencil spires and rooftops to paper.

The Temple of the Emerald Buddha, which is in fact jade, sits next to the palace. Full-length skirts and pants are required (A guard chants a mantra of “No sarongs for men!”), and photos are forbidden. The relatively small figurine sits amidst a room of gold, high upon a shrine and beneath a many-tiered canopy. The adjacent throne room holds the same majestic elegance, shrines and canopies and seats facing neat rows of deeply cushioned, high-backed chairs. Elsewhere, in a museum of weaponry, the palace displays thousands spears, tridents and evolving guns. Around a side passage and away from the crowds I find a small, sheltered garden filled with meticulously pruned bonsai trees, small pools and stone animals.

I treat myself to Thai massage– some combination of interactive, half-assisted yoga and elbows digging into my back and girls walking on me that probably only works because they’re all so tiny. I hate to tell you Vietnam, but I’m pretty sure Thailand has you beat in both street food and in massages.

Getting out of Bangkok proves a bit of an epic in itself. I hail five taxis, all of whom quote me outrageous prices to the rail station and refuse to turn on the meter. An old lady on walking down the street stops to ask where I’m going and tells me the train doesn’t in fact run in the afternoon, since it’s Thai summer holidays. She snags a tuk tuk and quickly agrees on a price, stubbornly insisting I head to the TAT. The locals swear by the place- probably because they’ve never tried to get information out of them. Although they’re theoretically government regulated, I get the impression that only one or two are legitimate– most are simply Thai travel agencies eager to book you on overpriced tours to classic tourist traps. One tells me the station where I catch the train headed to Kanchanaburi is too far away. How far? Forty minutes. One tells me that the last bus has left for Kanchanaburi for the day. When I ask about local busses, she tells me there aren’t any (that’s a lie). One lady hands me a card, instructing me to go away and come back when I’m ready to book a tour. Another lady tells me they leave on the hour (I think this may be a bit optimistic). Finally (Finally!) my driver brings me to a place with a lady who doesn’t offer me organized overpriced tours. Somehow the conversation shifts to Ayutthaya, since I seem to have lost faith in my options to travel northwest this afternoon. Instead, the nice lady tells me to head to the main rail station, gives me concrete departure times, tells me how much a taxi should cost and bids me a good day.

I make my train with five seconds to spare.

Ayutthaya, built amidst the ruins of Thailand’s former capitol, sits on an island amidst three separate rivers’ confluence. I rent a motorbike for the day, giving myself a terrifying combined crash course in city riding and in driving on the left-hand side of the street as I trust my luck and follow street signs written in foreign characters between various ruins and temples. It’s absolutely surreal to ride through a modern city as ruins appear around almost every corner, bleached white with age after the Burmese ransacked any gold and jewels to be had. Little remains to convey how the city once looked: three chedis containing ashes of ancient kings, a few temples and grounds and scattered Buddhas. One sandstone Buddha in particular has disappeared except for the head, wrapped in an ancient tree’s lattice. I watch the sun set from atop an ancient temple just outside town.

I run into the day’s only snarl when I arrive to return my motorbike, walking into an unlocked, unattended shop to find my passport in plain view on the agent’s desk. Because apparently in these parts, leaving to take a shower and letting the lady next door know that some girl will be by to pick it up is totally acceptable. (This seems to be a thing in SE Asia, since the folks at The Sanctuary showed me every passport in their possession when I asked if a friend had checked in.
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Kanchanaburi is, in a word, bizarre. The town mixes a modern center with old-style wooden houses, while hosting a thriving expat population of fat old drunk white men and their Thai wives on Guesthouse row, just off the river– by far the most hazardous position I’ve found myself in as a single white girl this week.

I find the Allied Cemetery, a pristinely maintained grassy expanse shaded my trees crowned with fuscia blossoms, under which lies a mini Arlington. Row upon row of small headstones, flowers planted between each, glint beneath the sun. Among the six thousand graves in the cemetery I find only one Jewish soldier among the rows I wander. I leave a small stone on the grave before continuing on my way.

I duck briefly into the sprawling grounds of a Chinese temple before a dog begins chasing me, barking from behind the monk who’s come to my rescue, before watching the sun set upriver from the rebuilt bridge on the River Kwai. It’s actually slightly underwhelming, aside from swarms of tiny Asian girls posing with selfie sticks and smoothies in their hands, fixing sunglasses and flashing peace signs. Also: apparently the movie managed to get the river’s name wrong (the original River Kwai lies just west), so the waterway was renamed as tourists began arriving in droves.

The next morning I catch a bus to Erawan National Park, where I hike a kilometer and a half upward through the jungle, following the river’s continuous cascade. Insects and water maintain a constant buzzing rush as I climb the falls’ seven official steps, making frequent stops to dunk myself and dodge schools of minnows as they approach to nibble at my feet. The water shifts from a deep turquoise to milky white by the time I arrive at the top of the cascade, pouring over walls covered in mineral-encrusted leaves and twigs. We ignore a sign warning us off the slippery rocks to climb directly through the fall’s path, dodging as monkeys chuck fruit at us, to a final pool below the falls’ towering head, slipping behind the water to swim in a gaping cavern filled with billowing stalactites.


I rent a tent and spend the night in the jungle on the banks of the river, wandering beneath trees full of crimson fruit and watching foreign birds build nests as the sun sets before I head back toward Bangkok and home.