I’ve lived on Cat Ba Island for just short of a year now.
It’s hard to wrap my head around the idea that, at the winter solstice, days
have barely shortened since August. December weather brings to mind crisp
autumn days: when the sun shines, the world glows in a gentle warmth otherwise
hidden by misting clouds.
Last week was huge. I wrapped my two largest projects yet–
fitting, since I have only ten days left on the island.
We’re releasing the first climbing guidebook produced for
the region since 2008. I’ve been editing the book for the past few months,
working with my badass friend and volunteer Luca (Author) and my friend and General
Manager Chris (Co-editor). Luca has been the most amazing partner in crime,
headlining the project with monumental vision and sheer will. He combines a
rare and genuine mix of talent, passion and humility. Chris has overseen the project
with levelheaded grace, offering guidance in networking, tact, partnership and
pride.
I’m so proud to have been included as part of this project
as we worked to draw together the area’s rich and complex history. I’m proud to
have coordinated amongst dozens of contributors on local and global scales. I’m
proud to have learned intricate publishing software on the fly, building
sections of the book, constructing maps and proofreading the document time and
time again. I guess those Catholic High School English classes came in handy
after all.
I’m humbled to have connected with individuals I never
expected to meet. I’m humbled at the generosity and goodwill of dozens of
people who contributed stories, information, photographs and history to the
project. I’ve learned so much about the place I currently call home. Tremendous
work has gone into developing rock climbing in the region, from original
pioneers to those who have left their mark more recently– making the place
accessible, working with authorities, exploring, bolting, putting up first
ascents and gathering information to bring home. I’m so glad for the
opportunity to work with Luca and Chris to compile decades of information,
making it available and passing it on to those who come after we leave.
We submitted our final draft to the printers last week. Test
copies are on the press as I write. With a little Western luck in a Vietnamese
print shop, we’ll release the book before the end of the year. Our hearts and
souls have gone into this project, and we can’t wait to share it with the
climbing community at large.
Photo credit: Rich Fergus |
Last week “in the office,” I worked as advisor, guide and
subject for an American film crew
producing a documentary about life on the water in Vietnam. The crew
were an absolute riot; Vietnam is the seventh of ten countries they’re filming,
so they know each other pretty well by now. There were kung fu kicks with
plastic samurai swords and Vietnamese hats. There were beautifully staged spats
centered around awkwardly positioned cameramen. There were moustache selfies
taken with air force tagalongs (we were filming in a militarized zone). Jaws
hit the floor as Vu’s abs were revealed to the general populace before he began
climbing. At one point I distinctly remember hearing, “Rip it off, kid!” (I
even got paid to tell Vu to jump into the water... and Vu hates getting wet.) There were barbeque parties and beers. There
was almost an unsuspecting slo-motion
slap across the face filmed in retaliation for a friendly punch to a kidney.
The week was filled with speedboat rides through the bay,
VIP meals on the boat, good company and visits to just about every place I’ve
come to know through a year’s time living and guiding here. The shoot took me
so much further into Ha Long Bay than the areas where I operate on a day-to-day
basis. We filmed kayaking in a secret system of tunnels and lagoons I’d never
actually seen before our scouting days.
I think I surprised myself more than anyone else as I
realized how intimately I’ve come to know this place. With a tide chart in hand
I was able to almost completely coordinate the shoot on a local level, from
organizing meals and boats, to introducing the crew to their main characters,
to acting as safety advisor, to fulfilling every request for places and
opportunities to film specific footage. (The guys who served us at the bay’s floating
business hub thought it was hilarious
that a Vietnamese logistics team relied on a foreigner to guide them.)
Most importantly, I received a desperately needed gift through
a simple reminder of where I live. It’s so easy to become immune to places
serving as home base– places we experience day after day. In my last few
months, stressed by large groups and worried about customer satisfaction, I had
become largely apathetic to Ha Long Bay. I’d begun neglecting to take in the
world around me. My focus had turned to wrapping up projects and moving onward
at the end of the year. I looked forward to a bittersweet end, knowing I had
grown beyond expectation, wishing I could stay longer to dedicate time fully to
climbing, but more than ready to be somewhere– anywhere– else. Without looking
back.
Preferably somewhere with access to Mexican food.
And then the film crew showed up. I had the time of my life
exploring places I rarely go, looking north past slender spires from unfamiliar
inlets and venturing deep into floating villages. More than anything, though,
the crew brought a drone with them. On the way home from filming on the first
day, Matt showed me a clip of the footage he’d collected. His camera rose from
our kayaks to pan north over hundreds of ancient islands spread in a whorling
maze amongst the sea’s deep emerald embrace. It offered a stunning,
otherworldly perspective of the place to which I had lately become so numb,
providing the crucial catalyst allowing me to again truly recognize and
appreciate my surroundings before I leave the island in a few days’ time.
Although it’s certainly time for me to move onward, I’m able
to do so now with true appreciation and recognition for the people and places
amongst whom I’ve spent the last year. And so, to Luca and Chris and Ben and Matt
and Dean– to everyone I connected with through my work on the guidebook and the
film crew– you have my utmost gratitude.